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Gathering Storm near Maravatio, Mexico
Painting ID:: 19522
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Moran, Thomas
Gathering Storm near Maravatio, Mexico
1883
Oil on panel
Private collection.
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Vera Cruz Harbor, Mexico
Painting ID:: 19523
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Moran, Thomas
Vera Cruz Harbor, Mexico
1884
Oil on canvas.
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View of Venice
Painting ID:: 19524
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Moran, Thomas
View of Venice
1888
water color and gouache over graphite
Corcoran Gallery of Art, Washington D.C.
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A Pastoral Landscape
Painting ID:: 19525
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Moran, Thomas
A Pastoral Landscape
1889
Oil on canvas
Flint Institute of Arts, Flint, MI.
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The Grand Canal
Painting ID:: 19526
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Moran, Thomas
The Grand Canal
1889
Oil on canvas.
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Moran, Thomas
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American Hudson River School Painter, 1837-1926
American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings |
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